Search found 20 matches

Thanks for the feedback. I appreciate all of it.

The hands and feet were intentionally exaggerated, as this is something that the character modeler would be referring to. We make the hands and fee ...

Sorry I haven't posted anything of mine here before, it's just rare that anything gets released to the public. Anyway, I've spent some time spouting criticism and advice to people here, so I though ...

Spooge,

I understand the focus of the composition is the figure on the right holding the ropes, but the high contrast area on the ship keeps drawing my eye.

Especially with those rope lines drawi ...

This is really nice. I love the personality and expression. My only critique would be the flatness of the figure, especially at the edges. I think some kick lighting at the edge of the form would h ...

Hmmmm. I disagree with the graphic design choice. I especially disagree with the notion that graphic designers are replacing illustrators.

The distinction between graphic design/illustration/etc. h ...

Very nice, Mike!

There's a weird tangent in the first one, though. The woman's left arm and shoulder are working with her chin in a confusing way. The tangent line of the arm looks "off" just touch ...

I love the spontenaiety of it. Reminds me of Peter DeSeve a bit.

I would like to see the hands on the top one.

Hi Rob.

Matt has made some excellent points above. I do disagree with him on the degree, though.
Although we're the exception rather than the rule in the Games Industry, here at Lucasarts we requir ...

Hey Skeezer

The forms in your concept work are nice (although that spaceship is a little too reminiscent of the Radiant VII from Star Wars: Ep1).

Your line quality is pretty labored, though. It wou ...

Hi Nova.

Flinthawk has done a good job above answering your questions, so I'll try not to duplicate what he said.

Here at LucasArts, and average art team would break down like this:

Lead Artist ...

I'm in the industry, too, and concur with the above posts. All the unsolicited submissions we get (and we get a LOT) are returned unopened with a legal label. It's the only way to avoid a lawsuit sh ...

Hey Gauntlet. I posted this to another thread, but I think it applies here:

Most illustration is billed based on usage, not the time to create it.

Michiko Stehrenberger has some good basic info o ...

Most illustration is billed based on usage, not the time to create it.

Michiko Stehrenberger has some good basic info on her page:
[url=http://www.michiko.com/Commission.html]http://www.michiko.co ...

I went to a screening of Avalon and Q&A with Oshii last month.

The film is really great, although it has a very slow pacing that will turn off some viewers. I actually liked the film much better af ...

Hey Milkman,

Just one note. I like where you're going with the second drawing, although at this stage it's still pretty derivative of Masamune Shirow.

Make sure and beat it up plenty and get it ...

I love the character design.

If I had one thing to offer it would be to bring some color variation into it. What I mean is that your different areas are all very compartmentalized in their color. ...

This is a great resource. I hope I can add some value to it.

Name: Ian Milham
Job: Artist (Concepts,Textures,Models)
Location: LucasArts Entertainment Co.

This is a great resource. I hope I can add some value to it.

Name: Ian Milham
Job: Artist (Concepts,Textures,Models)
Location: LucasArts Entertainment Co.

This is a great resource. I hope I can add some value to it.

Name: Ian Milham
Job: Artist (Concepts,Textures,Models)
Location: LucasArts Entertainment Co.

This is a great resource. I hope I can add some value to it.

Name: Ian Milham
Job: Artist (Concepts,Textures,Models)
Location: LucasArts Entertainment Co.